While My Guitar Gently Weeps - The BeatlesĮleanor Rigby (Unk. Nothing Compares 2 U - Sinead O'Conner Fall/Winter 2003/04 Mens :ĭance To The Underground - Radio4 Spring/Summer 2003 :Įleanor Rigby (Eddie Baez Remix) - The Beatles Yumeji's Theme (from In The Mood For Love) - Shigeru Umebayashi I Will Always Love You - Dolly Parton Fall/Winter 2003/04 : Seven Nation Army (Freeland Mix) - White Stripes The Sacrament (intro) - H.I.M Spring/Summer 2004 Mens : You're Free - Yomanda Fall/Winter 2004/05 Mens : She Talks To Angels (live piano version) - The Black Crows Fall/Winter 2004/05 Sympathy For The Devil (Neptunes remix) - The Rolling Stones Go With The Flow - Queens Of The Stoneage Van Rujiven - Alexandre Desplat Spring Summer 2005 : Hair Dude, You're stepping on my mystique - Out hud Vs Booka ShadeĮvil Woman - Electric Light Orchestra Spring Summer 2006 :įever (Adam Freeland mix) - Sarah Vaughn Fall/Winter 2005/06 : World In My Eyes (Cicada Mix) - Depeche Modeĭon't Save Us From The Flames (Superpitcher remix) - M83īody Language - M.A.N.D.Y. Metti, Una Sera A Cena - Ennio Morricone Fall/Winter 2006/07 : The Songs That We Sing - Charlotte GainsbourgĪ Song For Sorry Angel (ft Jane Birkin) - Franz Ferdinand Kings of Leon - On Call Spring/Summer 2007 : Kate Bush - Running Up That Hill (Ashley Beedle edit) Marc Almond -Strangers in the Night Fall/Winter 2007/08 : Tranquilize - The Killers (ft Lou Reed) Spring/Summer 2008 : I'm In Love With A German Film Star - Foo FightersĪnd I Miss You (Remix) - Sade Spring/Summer 2009 : Quicksand (Chateau Marmont Remix) - La Roux Jarvis Cockerīrahms: Symphony No.3 In F, Op.90-3 Poco Allegretto - Vladimir Ashkenazy & The Cleveland Orchestra Fall/Winter 2010/11 : Spring/Summer 2010 : Fall/Winter 2009/10 : I Feel Electric (Tiedeye Remix) - The Rubies ft. Veronica's Veil (Erol Alkan's Extended Remix) - Fan Death Mara Carlyle - But now I do Fall/Winter 2011/12 : Spring/Summer 2011 : Giorgio Moroder - Maintheme (Scarface) Spring/Summer 2012 : Vogue deemed the collection “a more colorful and upbeat take on sexiness that goes way beyond minimalism.” “These are eclectic, eccentric, and-I hate to use the word-happy clothes,” Ford told The Los Angeles Times.Giorgio Moroder - Tony's Theme (Scarface) They clearly borrow, without credit, from Indigenous and African craft traditions. (Ford returned to “the garden” for his namesake collection for spring 2021.) At the time the fringe, the mirror-work tops, and the heady floral prints seemed like a fun bohemian romp twenty years later the beaded shoes, suede boots, and embellished jeans read differently. They wore teeny-weeny bikinis in the same color-popping floral used on ruffled jersey dresses. There was no question that Gucci hippies were haute and hot. references in favor of a Summer of Love vibe.įord figuratively let his hair down and embraced an earthier sensuality-not that there was any Woodstockian mud involved: Ford described the aesthetic as “Las Vegas hippie.” “ Ciao Studio 54 hello Cher!” quipped journalist Michele Ingrassia. That ennui seeped into Ford’s fall 1998 collection for Gucci, but the agile designer was back on track for spring 1999 when he ditched minimalism and early-’60s Jackie O. But Ford, who put the sophisticated yawn into clothes, was bored with his own creations.” His vision of cool, untouchable, hard-edged sex was still trendy, and Gucci’s hip-huggers, snaffle-bit shoes, and fox-fur chubbies were still must-buys. He was in a predicament most designers would love to have. “It wasn’t that the master of timing had lost his touch with the public. “After eight knockout seasons he had reached a creative roadblock,” reported Vogue in a 1999 profile. Three years later the public was still clamoring for “more, more, more.” Ford? Not so much. That 15-minute show made Gucci synonymous with s-e-x, and it shot Ford to fame. Tom Ford’s breakthrough Gucci moment was his fall 1995 collection of velvet suits and acid green silks that evoked the louche decadence of Studio 54. Designed by Tom Ford, Gucci’s spring 1999 ready-to-wear collection was presented in October 1998, in Milan. Following the thread of our In Vogue: The 1990s podcast, we are closing out the year and heading into the new one with a series of newly digitized archival shows from the decade that fashion can’t-and won’t-let go of.
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